Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Library and Museum Collections Description An account of the resource Please browse the more than 8000 knit- and crochet-related treasures in the CKC Collections Resource <a href="http://digital.centerforknitandcrochet.org/collections/show/1">Museum and Library Collections</a> (drawn from <a href="https://dp.la/info/developers/" target="_blank" rel="noreferrer noopener">Digital Public Library of America</a>). CKC is seeking new partner organizations to share their collections of knitting and crochet with visitors to this resource. Contact us at <a href="mailto:collections@centerforknitandcrochet.org">collections@centerforknitandcrochet.org</a> for more information about participating. <br /><br /><a href="https://docs.google.com/document/d/11Hb_Y75HnhkCE5i4mKpcTlB8Msp_lB0XUtQr5S8XXKA/edit?usp=sharing" target="_blank" rel="noreferrer noopener">Learn more about criteria for Share Your Treasures.</a> Identifier An unambiguous reference to the resource within a given context 1 Still Image Upload at least one image that shows the object in its entirety along with detail views as desired. • Jpeg format • At least 3 MP in size • 300 ppi • Images produced with digital camera to highest quality setting (e.g. superfine, best) are usually acceptable. • Users who want to contribute video or audio files please contact info@centerforknitandcrochet.org for more information. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Relation A related resource linkto:001:http://cdm16280.contentdm.oclc.org/cdm/ref/collection/p16280coll3/id/9021 thumb:001:http://cdm16280.contentdm.oclc.org/utils/getthumbnail/collection/p16280coll3/id/9021 full:001:http://cdm16280.contentdm.oclc.org/utils/getthumbnail/collection/p16280coll3/id/9021 Description An account of the resource PAGE 6 The Marquette Tribune Tuesday, October 28, 2014 Marquee q L L i e a T 2040 W. WISCONSIN AVE. MILWAUKEE, WI 53233 INFO@LIVETHEMARQ.COM LIVETHEMARQ.COM (888) 458-9170 Present this ad and receive 1/2 off your security deposit! That’s a savings of $150! This deal won’t last long — stop by today! PROMO CODE: MRQ055P1N Modern Kitchens with stainless Steel Appliances Visit livethemarq.com to discover all the exciting upcoming renovations including 24-hour fi tness, an onsite fresh market, a new Cyber Café with new high-speed internet where you can work and print, resident-exclusive tanning, and much more! Spacious Bedrooms with Individual Study Area Pool Tables in Select Floor Plans By Joe Kaiser joseph.kaiser@marquette.edu Dave Chappelle’s first Mil-waukee appearance in 15 years Monday was not a normal comedy show. Every audience member was told on multiple occasions that cell phones and electronics would not be allowed at any point, even before Chappelle or local product Ryan Holman, his warm-up comic, took the stage. There were the understandable requests to not heckle or yell anything during the show, but the Pabst Theater ushers made the point that these were not the theatre rules – they were Chap-pelle’s. They even mentioned that these rules clearly stemmed from a 2013 incident in which Chappelle walked off a stage in Hartford, Conn. after be-ing heckled, and a similar 2004 fiasco in Sacramento, Calif. The rule-induced anticipa-tion was not normal and not too relaxed for a comedy show. Then there was Chappelle’s DJ, DJ Trauma, repeatedly re-stating those rules and blasting music, demanding everyone get on their feet and dance to the likes of “Jump Around,” “We Will Rock You” and even the “Cheers” theme song – “Where Everyone Knows Your Name” – as the audience continued to wait for one of the world’s most-celebrated comedians. And – the dead giveaway that it was not a normal comedy show –DJ Trauma also told the audience on Comedian’s new hour offers new outlooks, same classic styles several occasions that this would “not be a normal comedy show.” It was not. But Chappelle is not a “normal” comedian. Chappelle is the comedian who walked away from his mega-hit Comedy Central show in 2005 to travel to South Africa in frus-tration over where his show was headed. He has not produced a special in 10 years, but his fame remarkably hasn’t faltered a bit, and that was obvious the second he took the stage to a sold-out Pabst Theater. Chappelle, 41, walked out comfortably smoking a cigarette in a black sleeveless shirt with corresponding black pants, knit hat and sneakers. With him were two more packets of cigarettes (he casually had five through-out the performance), and his presence immediately changed what was beginning to feel like a tense, unusual atmosphere. That mood calmed, and 1,300 fans welcomed the star to the stage for an hour of fresh, but incredibly polished, comedy that showed a new Chappelle without losing his old touch. He started by riffing on Madi-son, Wis. – where he performed over the weekend – by saying he noticed “apparently (Madi-son) thinks plaid is back” to vociferous laughter from a star-struck crowd. He then dove into current events, making sure he got every last laugh out of Ray Rice, Adrian Peterson, President Barack Obama, Hillary Clin-ton, Condoleezza Rice, Paula Dean and Donald Sterling in seamless transition, and used his well-known racial spin on everyday topics. It was a decade for many since they’d seen Chappelle on a tele-vision or stage, but he clearly had not missed a beat and his star power could still control a room – even one full of prior uneasi-ness from cell phone prohibition. But even in keeping much of his classic style and tone, Chap-pelle matured and evolved in the decade since his last tour, and it showed. Not only was it visible in his appearance – the once-scrawny comic was now showing off newly-forged muscles via the sleeveless shirt – but he took a step back from the racial and blue humor and presented semi-family oriented material the au-dience embraced just as much as the semi-expected jokes about marijuana and masturba-tion. Jokes about eating his kids’ lunches after they go to bed re-ceived just as many laughs as jokes about foot fetishes. It was a different side of Chappelle from 10 years ago. It was not better or worse. It was but different. Chappelle, who walked away from $55 million when he left his Comedy Central show, even poked fun at his own fame, jok-ing that he could not believe he, as a celebrity, had to wait in line with “Asians and nerds” for the new iPhone 6. The wide range of topics from which he was earning laughs was not neces-sarily expected, but it showed the evolution of a larger-than-life comedian whose career took turns that were anything but ex-pected. Old Chappelle fans will still get a kick out of his racial and sexual wisecracks, but they will be pleasantly surprised by his commentary on marriage and fatherhood that barely contains a trace of vulgarity or a reliance on shock value. Chappelle’s hiatus generated mystery about his act and career, but Monday night in Milwau-kee was a comedian performing back-to-back shows comfort-able in his own skin, with finely-tuned material, even dropping sometimes masterful witticism. Chappelle performs two more shows at the Pabst – two Tues-day and two Wednesday – cap-ping off six in three days. He then heads to St. Louis for eight shows and North Carolina for eight more before ending his tour. It’s 2014, not 2004. It’s not a normal show. But it’s still Chappelle, with a few charming tweaks, and audiences will still love every second. Dave Chappelle’s six performances in Milwaukee this week are his first shows in the city in more than a decade. Photo courtesy of Pabst Theater Identifier An unambiguous reference to the resource within a given context http://dp.la/api/items/6910945a1546f6dcb6b1d193317f0148 Title A name given to the resource Marquette Tribune, October 28, 2014 Vol. 99, No. [16], p. 6 Source A related resource from which the described resource is derived Recollection Wisconsin Date A point or period of time associated with an event in the lifecycle of the resource 2014-10-28 References A related resource that is referenced, cited, or otherwise pointed to by the described resource. http://cdm16280.contentdm.oclc.org/cdm/ref/collection/p16280coll3/id/9021