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            <name>Title</name>
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                <text>Please browse the more than 8000 knit- and crochet-related treasures in the CKC Collections Resource &lt;a href="http://digital.centerforknitandcrochet.org/collections/show/1"&gt;Museum and Library Collections&lt;/a&gt; (drawn from &lt;a href="https://dp.la/info/developers/" target="_blank" rel="noreferrer noopener"&gt;Digital Public Library of America&lt;/a&gt;). CKC is seeking new partner organizations to share their collections of knitting and crochet with visitors to this resource. Contact us at &lt;a href="mailto:collections@centerforknitandcrochet.org"&gt;collections@centerforknitandcrochet.org&lt;/a&gt; for more information about participating. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/document/d/11Hb_Y75HnhkCE5i4mKpcTlB8Msp_lB0XUtQr5S8XXKA/edit?usp=sharing" target="_blank" rel="noreferrer noopener"&gt;Learn more about criteria for Share Your Treasures.&lt;/a&gt;</text>
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    <name>Still Image</name>
    <description>Upload at least one image that shows the object in its entirety along with detail views as desired.&#13;
•	Jpeg format&#13;
•	At least 3 MP in size&#13;
•	300 ppi&#13;
•	Images produced with digital camera to highest quality setting (e.g. superfine, best) are usually acceptable.&#13;
•	Users who want to contribute video or audio files please contact info@centerforknitandcrochet.org for more information.&#13;
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      <description>VRA Core standard for artistic pieces and cultural heritage artifacts.
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              <text>Missouri Hub</text>
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          <description>Terms or phrases that describe, identify, or interpret the Work or Image and what it depicts or expresses. These may include generic terms that describe the work and the elements that it comprises, terms that identify particular people, geographic places, narrative and iconographic themes, or terms that refer to broader concepts or interpretations.</description>
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              <text>1861-07-20</text>
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          <name>Title</name>
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              <text>Thomas Butler Gunn Diaries: Volume 17, page 73, July 20, 1861</text>
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              <text>Describes his visit with George Bolton in Canada. Transcription: 64 Odious Suspicions. of her [Sarah Conworth Bolton]. But I could not but remember that he [George Bolton] has frequently spoken of his lost wife as much in connection with her usefulness, as a mistress of a house, as of a loving, self-sacrificing woman. Talking of her I said that I hated to think of the poor girl's life ‚Äî it appeared one d____d martyrdom. George said they were very happy together during their marriage. I hope so. But with his taciturnity and Bolton selfishness, if that poor Sarah ever had an healthy inhalation of unreserved affection ‚Äî well, God forgive all of us! When she died, George suspected the people in the house of improving the opportunity by prying into and stealing from her closets and drawers! He has a wholesome impression that all people are mean, and that most of them will thieve! He cautioned me about the contents of my trunk, in e saying that he didn't know but that the father of his little housekeeper would tell her to pilfer; as far as I can discover a wholly gratuitous suspicion. She is one of a family of five girls, of Scotch birth; her father, a widower, keeps a turnpike, near Paris, plays on fiddles of his own making, and the girls work hard and knit of evenings, while one of them reads aloud some story. They, in common with the vicinity, were greatly exercised by Wilkie Collins' "Woman in White," republished in the Toronto "Globe." The turnpike-</text>
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              <text>Gunn, Thomas Butler, 1826-1903</text>
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              <text>https://mohistory.org/collections/item/DX01704036</text>
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              <text>Heartland Hub</text>
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