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            <name>Title</name>
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                <text>Library and Museum Collections</text>
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                <text>Please browse the more than 8000 knit- and crochet-related treasures in the CKC Collections Resource &lt;a href="http://digital.centerforknitandcrochet.org/collections/show/1"&gt;Museum and Library Collections&lt;/a&gt; (drawn from &lt;a href="https://dp.la/info/developers/" target="_blank" rel="noreferrer noopener"&gt;Digital Public Library of America&lt;/a&gt;). CKC is seeking new partner organizations to share their collections of knitting and crochet with visitors to this resource. Contact us at &lt;a href="mailto:collections@centerforknitandcrochet.org"&gt;collections@centerforknitandcrochet.org&lt;/a&gt; for more information about participating. &lt;br /&gt;&lt;br /&gt;&lt;a href="https://docs.google.com/document/d/11Hb_Y75HnhkCE5i4mKpcTlB8Msp_lB0XUtQr5S8XXKA/edit?usp=sharing" target="_blank" rel="noreferrer noopener"&gt;Learn more about criteria for Share Your Treasures.&lt;/a&gt;</text>
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    <name>Still Image</name>
    <description>Upload at least one image that shows the object in its entirety along with detail views as desired.&#13;
•	Jpeg format&#13;
•	At least 3 MP in size&#13;
•	300 ppi&#13;
•	Images produced with digital camera to highest quality setting (e.g. superfine, best) are usually acceptable.&#13;
•	Users who want to contribute video or audio files please contact info@centerforknitandcrochet.org for more information.&#13;
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          <name>Identifier</name>
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              <text>2008</text>
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              <text>Biodiversity Reclamation Suit: Passenger Pigeon</text>
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              <text>Before embarking on a career in the arts, Laurel Roth Hope worked as both a park ranger and a natural-resource conservator. Her time spent protecting and restoring habitats inspired a body of work that examines the adaptive abilities of some species versus others. In Biodiversity Reclamation Suits for Urban Pigeons, the artist crochets ‚Äúsweaters‚Äù that mimic the plumage of extinct or endangered bird species. Despite their humor and charm, these works force us to confront the futility of recovering lost biodiversity. Roth Hope displays each suit on a hand-carved pigeon mannequin as a reminder that the animals we most revile are often the ones capable of surviving in a human-made environment.</text>
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              <text>The Singing &amp;amp; the Silence: Birds in Contemporary Art, 2014</text>
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              <text>Hope uses humor to address the serious subject of species extinction in her Biodiversity Reclamation Suits. These suits allow common rock pigeons to masquerade as extinct North American birds -- if not actually to "reclaim" biodiversity, then at least to give the appearance of it. One can't help but smile, imagining these birds clad in their bright, borrowed feathers roaming our city streets, even as we note that the damage we do to our environment cannot always be undone.</text>
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              <text>Connections: Contemporary Craft at the Renwick Gallery, 2019</text>
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              <text>Laurel Roth Hope, born Concord, CA 1973</text>
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              <text>http://collections.si.edu/search/results.htm?q=record_ID=saam_2013.76.1A-B&amp;amp;repo=DPLA</text>
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              <text>Smithsonian Institution</text>
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