Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Library and Museum Collections Description An account of the resource Please browse the more than 8000 knit- and crochet-related treasures in the CKC Collections Resource <a href="http://digital.centerforknitandcrochet.org/collections/show/1">Museum and Library Collections</a> (drawn from <a href="https://dp.la/info/developers/" target="_blank" rel="noreferrer noopener">Digital Public Library of America</a>). CKC is seeking new partner organizations to share their collections of knitting and crochet with visitors to this resource. Contact us at <a href="mailto:collections@centerforknitandcrochet.org">collections@centerforknitandcrochet.org</a> for more information about participating. <br /><br /><a href="https://docs.google.com/document/d/11Hb_Y75HnhkCE5i4mKpcTlB8Msp_lB0XUtQr5S8XXKA/edit?usp=sharing" target="_blank" rel="noreferrer noopener">Learn more about criteria for Share Your Treasures.</a> Identifier An unambiguous reference to the resource within a given context 1 Still Image Upload at least one image that shows the object in its entirety along with detail views as desired. • Jpeg format • At least 3 MP in size • 300 ppi • Images produced with digital camera to highest quality setting (e.g. superfine, best) are usually acceptable. • Users who want to contribute video or audio files please contact info@centerforknitandcrochet.org for more information. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Date A point or period of time associated with an event in the lifecycle of the resource ca mid-1990s Title A name given to the resource coat, suit Description An account of the resource Hector Aguilar, trusted journalist and senior anchor at WNJU in New Jersey wore this jacket. Aguilar, a Cuban refugee who migrated to the United States in the 1960s, worked in broadcasting from an early age and made a career in radio and television. He chose stylish but formal clothing to signal his respect for the news and his audiences; he took both seriously and became a respected personality that viewers turned to for the news. His daughter, Margarita Aguilar noted that he was “very fashion conscious and liked fabrics like tweed, pure wools and other natural fibers. He also admired great tailoring and fine design. He never wore a suit but well-tailored jackets such as this one ... with made-to-order pants from his tailor.” In the 1950s, consumers made television the centerpiece of the home, fueling competition among broadcasters to create new products, new programming, new stations, and even new networks. Innovators, such as those behind the creation of independent Spanish-language stations and eventually the Spanish International Network (SIN), challenged established broadcasting companies by creating new programming in Spanish and catering to underserved audiences. Established in the early 1960s, SIN knit together independents and created new stations to serve a national audience. With a complex business and legal history, SIN eventually became Univision in the 1980s. In the decades after 1980, Spanish-language programing options grew with recognition of Latinx communities as powerful consumer groups and the advent of new broadcasting technologies such as cable and digital TV. Héctor Aguilar, periodista de renombre y presentador principal de WNJU en Nueva Jersey uso esta chaqueta. Aguilar, refugiado cubano que emigró a Estados Unidos en la década de 1960, comenzó a trabajar en radiodifusión desde temprana edad e hizo carrera en la radio y la televisión. Eligió ropa elegante y formal, para manifestar respeto por las noticias y por su audiencia; se dedicó con seriedad a ambos y se convirtió en una personalidad respetada a la que los espectadores acudían para mantenerse informados. Su hija, Margarita Aguilar, señaló que él era “muy consciente de la moda y le gustaban las telas como tweed, las lanas puras y otras fibras naturales. También admiraba la gran sastrería y el diseño fino. Nunca vestía de traje, pero sí usaba chaquetas bien confeccionadas como esta ... con pantalones hechos a medida por su sastre ". En la década de 1950, los consumidores hicieron de la televisión un componente central de sus hogares, fomentando la competencia entre las difusoras para crear nuevos productos, nueva programación, nuevas estaciones, e incluso nuevas redes. Los innovadores, como los creadores de los canales independientes de habla hispana y el Spanish International Network (SIN), desafiaron a las emisoras establecidas creando nuevos programas en español centradas en audiencias históricamente ignoradas. Establecido a principios de los sesenta, SIN unió a difusoras independentes y creó nuevas estaciones para responder a una audiencia nacional. Tras una compleja trayectoria empresarial y legal, SIN se convertiría en Univisión en la década de 1980. Durante las próximas décadas, las opciones de programación en español crecieron gracias al reconocimiento de la comunidad Latinx, como poderoso grupo de consumidores, y a la introducción de nuevas tecnologías de difusión, como el cable y la televisión digital. Currently not on view Subject The topic of the resource Clothing and dress Authors Television broadcasts Broadcasting Dress accessories Journalism Hispanics Spaniards Latin Americans Latino Spanish References A related resource that is referenced, cited, or otherwise pointed to by the described resource. http://collections.si.edu/search/results.htm?q=record_ID=nmah_1849048&amp;repo=DPLA Relation A related resource thumb:001:https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2017q027218&amp;max=150 full:001:https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2017q027218&amp;max=150 linkto:001:http://collections.si.edu/search/results.htm?q=record_ID=nmah_1849048&amp;repo=DPLA Source A related resource from which the described resource is derived Smithsonian Institution