Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Library and Museum Collections Description An account of the resource Please browse the more than 8000 knit- and crochet-related treasures in the CKC Collections Resource <a href="http://digital.centerforknitandcrochet.org/collections/show/1">Museum and Library Collections</a> (drawn from <a href="https://dp.la/info/developers/" target="_blank" rel="noreferrer noopener">Digital Public Library of America</a>). CKC is seeking new partner organizations to share their collections of knitting and crochet with visitors to this resource. Contact us at <a href="mailto:collections@centerforknitandcrochet.org">collections@centerforknitandcrochet.org</a> for more information about participating. <br /><br /><a href="https://docs.google.com/document/d/11Hb_Y75HnhkCE5i4mKpcTlB8Msp_lB0XUtQr5S8XXKA/edit?usp=sharing" target="_blank" rel="noreferrer noopener">Learn more about criteria for Share Your Treasures.</a> Identifier An unambiguous reference to the resource within a given context 1 Still Image Upload at least one image that shows the object in its entirety along with detail views as desired. • Jpeg format • At least 3 MP in size • 300 ppi • Images produced with digital camera to highest quality setting (e.g. superfine, best) are usually acceptable. • Users who want to contribute video or audio files please contact info@centerforknitandcrochet.org for more information. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource pin Description An account of the resource Ismael Moctezuma was born in 1943 in San Felipe Torres Mocha, Guanajuato Mexico. He became fascinated with broadcasting as a child when his father returned from the US with a radio. After college, he decided to take courses in journalism and entered television broadcasting. When he caught heat for reporting on local politics, he decided to head to Los Angeles, with a letter of recommendation from Televisa and his passport. He initially was unsuccessful at securing a job in Spanish Language television, but after some persistence, he landed a part-time job at KMEX in 1979. He would eventually become a full-time journalist working in KMEX for over 30 years. This pin commemorates his 30-year anniversary with KMEX. In the 1950s, consumers made television the centerpiece of the home, fueling competition among broadcasters to create new products, new programming, new stations, and even new networks. Innovators, such as those behind the creation of independent Spanish-language stations and eventually the Spanish International Network (SIN), challenged established broadcasting companies by creating new programming in Spanish and catering to underserved audiences. Established in the early 1960s, SIN knit together independents and created new stations to serve a national audience. With a complex business and legal history, SIN eventually became Univision in the 1980s. In the decades after 1980, Spanish-language programing options grew with recognition of Latinx communities as powerful consumer groups and the advent of new broadcasting technologies such as cable and digital TV. Ismael Moctezuma naci√≥ en 1943 en San Felipe Torres Mocha, Guanajuato, M√©xico. De ni√±o su padre regres√≥ de los Estados Unidos con una radio y se enamor√≥ de la radiodifusi√≥n. Despu√©s de la universidad, decidi√≥ tomar cursos de periodismo y se incorpor√≥ a la radiodifusi√≥n televisiva. Cuando recibi√≥ cr√≠ticas por sus informes sobre la pol√≠tica local, decidi√≥ dirigirse a Los √Ångeles con una carta de recomendaci√≥n de Televisa y su pasaporte. Tras sus fracasos iniciales por conseguir un trabajo en la televisi√≥n en espa√±ol, persisti√≥ y consigui√≥ un empleo de medio tiempo en KMEX en 1979. Con el tiempo, se convertir√≠a en un periodista de tiempo completo en KMEX, para quien trabajar√≠a durante m√°s de 30 a√±os. Este distintivo conmemora su 30avo aniversario en la estaci√≥n. En la d√©cada de 1950, los consumidores hicieron de la televisi√≥n un componente central de sus hogares, fomentando la competencia entre las difusoras para crear nuevos productos, nueva programaci√≥n, nuevas estaciones, e incluso nuevas redes. Los innovadores, como los creadores de los canales independientes de habla hispana y el Spanish International Network (SIN), desafiaron a las emisoras establecidas creando nuevos programas en espa√±ol centradas en audiencias hist√≥ricamente ignoradas. Establecido a principios de los sesenta, SIN uni√≥ a difusoras independentes y cre√≥ nuevas estaciones para responder a una audiencia nacional. Tras una compleja trayectoria empresarial y legal, SIN se convertir√≠a en Univisi√≥n en la d√©cada de 1980. Durante las pr√≥ximas d√©cadas, las opciones de programaci√≥n en espa√±ol crecieron gracias al reconocimiento de la comunidad Latinx, como poderoso grupo de consumidores, y a la introducci√≥n de nuevas tecnolog√≠as de difusi√≥n, como el cable y la televisi√≥n digital. Currently not on view Subject The topic of the resource Broadcasting Journalism Latin Americans References A related resource that is referenced, cited, or otherwise pointed to by the described resource. http://collections.si.edu/search/results.htm?q=record_ID=nmah_1881458&amp;repo=DPLA Relation A related resource thumb:001:https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2021q049818&amp;max=150 full:001:https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2021q049818&amp;max=150 linkto:001:http://collections.si.edu/search/results.htm?q=record_ID=nmah_1881458&amp;repo=DPLA Source A related resource from which the described resource is derived Smithsonian Institution