<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://digital.centerforknitandcrochet.org/items/show/37585">
    <dcterms:title><![CDATA[Rumbo a la Fama - All Access]]></dcterms:title>
    <dcterms:subject><![CDATA[Amusements]]></dcterms:subject>
    <dcterms:subject><![CDATA[Television]]></dcterms:subject>
    <dcterms:subject><![CDATA[Authors]]></dcterms:subject>
    <dcterms:subject><![CDATA[Awards and Prizes]]></dcterms:subject>
    <dcterms:subject><![CDATA[Television broadcasts]]></dcterms:subject>
    <dcterms:subject><![CDATA[Hispanics]]></dcterms:subject>
    <dcterms:subject><![CDATA[Spaniards]]></dcterms:subject>
    <dcterms:subject><![CDATA[Latin Americans]]></dcterms:subject>
    <dcterms:description><![CDATA[Eduardo Kachskovsky had a long career at KMEX-TV (Univision) starting in 1980 and serving the Latino community. He worked from 1989 to 2004 in various roles from producer/director to creative director of live news and events. Such events ranged from award shows and political debates to the annual Rose Parade. Spanish-language TV stations were committed to co-sponsoring and televising events that promoted education, health, and civic understanding among communities of viewers. In addition, they invested in the needed staff, reporters, and technology to go on location and connect audiences to live events.]]></dcterms:description>
    <dcterms:description><![CDATA[If there was an event in LA, ‚ÄúKach‚Äù was probably there. His collection includes not only press badges and a KMEX jacket, but also photographs and an oral history.]]></dcterms:description>
    <dcterms:description><![CDATA[‚ÄúRumbo a la Fama‚Äù has been translated ‚ÄòOn the Road to Fame‚Äô and refers to the grand finale of the television series ‚ÄúObjectivo Fama‚Äù meaning Object Fame, a TeleFutura talent contest. Rumbo a la Fama is the red carpet event prior to the finale. All aired on Univision]]></dcterms:description>
    <dcterms:description><![CDATA[In the 1950s, consumers made television the centerpiece of the home, fueling competition among broadcasters to create new products, new programming, new stations, and even new networks. Innovators, such as those behind the creation of independent Spanish-language stations and eventually the Spanish International Network (SIN), challenged established broadcasting companies by creating new programming in Spanish and catering to underserved audiences. Established in the early 1960s, SIN knit together independents and created new stations to serve a national audience. With a complex business and legal history, SIN eventually became Univision in the 1980s. In the decades after 1980, Spanish-language programing options grew with recognition of Latinx communities as powerful consumer groups and the advent of new broadcasting technologies such as cable and digital TV.]]></dcterms:description>
    <dcterms:description><![CDATA[Eduardo Kachskovsky desarroll√≥ una extensa carrera en KMEX-TV (Univision) a partir de 1980 y sirvi√≥ a la comunidad latina. Se desempe√±√≥ en distintas funciones de 1989 a 2004, desde productor / director hasta como director creativo de noticias y eventos en vivo. Dichos eventos iban desde entregas de premios y debates pol√≠ticos hasta el Desfile de las Rosas anual. Los canales de televisi√≥n en espa√±ol se comprometieron a copatrocinar y televisar eventos que promovieran la educaci√≥n, la salud y el entendimiento c√≠vico entre las comunidades de televidentes. Adem√°s, invirtieron en el personal, los reporteros y la tecnolog√≠a necesaria para trasladarse hasta los lugares y conectar a las audiencias con los eventos en vivo. All√≠ donde hubiera un evento en Los √Ångeles, probablemente estar√≠a "Kach". Su colecci√≥n incluye insignias de prensa y una chaqueta KMEX, al igual que fotograf√≠as y una historia oral.]]></dcterms:description>
    <dcterms:description><![CDATA[En la d√©cada de 1950, los consumidores hicieron de la televisi√≥n un componente central de sus hogares, fomentando la competencia entre las difusoras para crear nuevos productos, nueva programaci√≥n, nuevas estaciones, e incluso nuevas redes. Los innovadores, como los creadores de los canales independientes de habla hispana y el Spanish International Network (SIN), desafiaron a las emisoras establecidas creando nuevos programas en espa√±ol centradas en audiencias hist√≥ricamente ignoradas. Establecido a principios de los sesenta, SIN uni√≥ a difusoras independentes y cre√≥ nuevas estaciones para responder a una audiencia nacional. Tras una compleja trayectoria empresarial y legal, SIN se convertir√≠a en Univisi√≥n en la d√©cada de 1980. Durante las pr√≥ximas d√©cadas, las opciones de programaci√≥n en espa√±ol crecieron gracias al reconocimiento de la comunidad Latinx, como poderoso grupo de consumidores, y a la introducci√≥n de nuevas tecnolog√≠as de difusi√≥n, como el cable y la televisi√≥n digital.]]></dcterms:description>
    <dcterms:description><![CDATA[Currently not on view]]></dcterms:description>
    <dcterms:source><![CDATA[Smithsonian Institution]]></dcterms:source>
    <dcterms:date><![CDATA[ca 2005]]></dcterms:date>
    <dcterms:relation><![CDATA[<div class="item-relation"><a href="http://collections.si.edu/search/results.htm?q=record_ID=nmah_1881541&amp;repo=DPLA" target="_blank"><img src="https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2021q049814&amp;max=150" alt="https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2021q049814&amp;max=150" height="200"></img></a></div>]]></dcterms:relation>
    <dcterms:references><![CDATA[http://collections.si.edu/search/results.htm?q=record_ID=nmah_1881541&amp;repo=DPLA]]></dcterms:references>
</rdf:Description></rdf:RDF>