Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Library and Museum Collections Description An account of the resource Please browse the more than 8000 knit- and crochet-related treasures in the CKC Collections Resource <a href="http://digital.centerforknitandcrochet.org/collections/show/1">Museum and Library Collections</a> (drawn from <a href="https://dp.la/info/developers/" target="_blank" rel="noreferrer noopener">Digital Public Library of America</a>). CKC is seeking new partner organizations to share their collections of knitting and crochet with visitors to this resource. Contact us at <a href="mailto:collections@centerforknitandcrochet.org">collections@centerforknitandcrochet.org</a> for more information about participating. <br /><br /><a href="https://docs.google.com/document/d/11Hb_Y75HnhkCE5i4mKpcTlB8Msp_lB0XUtQr5S8XXKA/edit?usp=sharing" target="_blank" rel="noreferrer noopener">Learn more about criteria for Share Your Treasures.</a> Identifier An unambiguous reference to the resource within a given context 1 Still Image Upload at least one image that shows the object in its entirety along with detail views as desired. • Jpeg format • At least 3 MP in size • 300 ppi • Images produced with digital camera to highest quality setting (e.g. superfine, best) are usually acceptable. • Users who want to contribute video or audio files please contact info@centerforknitandcrochet.org for more information. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Date A point or period of time associated with an event in the lifecycle of the resource 2006 Title A name given to the resource 117th Rose Parade Description An account of the resource Eduardo Kachskovsky had a long career at KMEX-TV (Univision) starting in 1980 and serving the Latino community. He worked from 1989 to 2004 in various roles from producer/director to creative director of live news and events. Such events ranged from award shows and political debates to the annual Rose Parade. Spanish-language TV stations were committed to co-sponsoring and televising events that promoted education, health, and civic understanding among communities of viewers. In addition, they invested in the needed staff, reporters, and technology to go on location and connect audiences to live events. If there was an event in LA, ‚ÄúKach‚Äù was probably there. His collection includes not only press badges and a KMEX jacket, but also photographs and an oral history. In the 1950s, consumers made television the centerpiece of the home, fueling competition among broadcasters to create new products, new programming, new stations, and even new networks. Innovators, such as those behind the creation of independent Spanish-language stations and eventually the Spanish International Network (SIN), challenged established broadcasting companies by creating new programming in Spanish and catering to underserved audiences. Established in the early 1960s, SIN knit together independents and created new stations to serve a national audience. With a complex business and legal history, SIN eventually became Univision in the 1980s. In the decades after 1980, Spanish-language programing options grew with recognition of Latinx communities as powerful consumer groups and the advent of new broadcasting technologies such as cable and digital TV. Eduardo Kachskovsky desarroll√≥ una extensa carrera en KMEX-TV (Univision) a partir de 1980 y sirvi√≥ a la comunidad latina. Se desempe√±√≥ en distintas funciones de 1989 a 2004, desde productor / director hasta como director creativo de noticias y eventos en vivo. Dichos eventos iban desde entregas de premios y debates pol√≠ticos hasta el Desfile de las Rosas anual. Los canales de televisi√≥n en espa√±ol se comprometieron a copatrocinar y televisar eventos que promovieran la educaci√≥n, la salud y el entendimiento c√≠vico entre las comunidades de televidentes. Adem√°s, invirtieron en el personal, los reporteros y la tecnolog√≠a necesaria para trasladarse hasta los lugares y conectar a las audiencias con los eventos en vivo. All√≠ donde hubiera un evento en Los √Ångeles, probablemente estar√≠a "Kach". Su colecci√≥n incluye insignias de prensa y una chaqueta KMEX, al igual que fotograf√≠as y una historia oral. En la d√©cada de 1950, los consumidores hicieron de la televisi√≥n un componente central de sus hogares, fomentando la competencia entre las difusoras para crear nuevos productos, nueva programaci√≥n, nuevas estaciones, e incluso nuevas redes. Los innovadores, como los creadores de los canales independientes de habla hispana y el Spanish International Network (SIN), desafiaron a las emisoras establecidas creando nuevos programas en espa√±ol centradas en audiencias hist√≥ricamente ignoradas. Establecido a principios de los sesenta, SIN uni√≥ a difusoras independentes y cre√≥ nuevas estaciones para responder a una audiencia nacional. Tras una compleja trayectoria empresarial y legal, SIN se convertir√≠a en Univisi√≥n en la d√©cada de 1980. Durante las pr√≥ximas d√©cadas, las opciones de programaci√≥n en espa√±ol crecieron gracias al reconocimiento de la comunidad Latinx, como poderoso grupo de consumidores, y a la introducci√≥n de nuevas tecnolog√≠as de difusi√≥n, como el cable y la televisi√≥n digital. Currently not on view Subject The topic of the resource Authors Broadcasting Hispanics Parades Spaniards Latin Americans References A related resource that is referenced, cited, or otherwise pointed to by the described resource. http://collections.si.edu/search/results.htm?q=record_ID=nmah_1881544&amp;repo=DPLA Relation A related resource thumb:001:https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2021q049797&amp;max=150 full:001:https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2021q049797&amp;max=150 linkto:001:http://collections.si.edu/search/results.htm?q=record_ID=nmah_1881544&amp;repo=DPLA Source A related resource from which the described resource is derived Smithsonian Institution