Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Library and Museum Collections Description An account of the resource Please browse the more than 8000 knit- and crochet-related treasures in the CKC Collections Resource <a href="http://digital.centerforknitandcrochet.org/collections/show/1">Museum and Library Collections</a> (drawn from <a href="https://dp.la/info/developers/" target="_blank" rel="noreferrer noopener">Digital Public Library of America</a>). CKC is seeking new partner organizations to share their collections of knitting and crochet with visitors to this resource. Contact us at <a href="mailto:collections@centerforknitandcrochet.org">collections@centerforknitandcrochet.org</a> for more information about participating. <br /><br /><a href="https://docs.google.com/document/d/11Hb_Y75HnhkCE5i4mKpcTlB8Msp_lB0XUtQr5S8XXKA/edit?usp=sharing" target="_blank" rel="noreferrer noopener">Learn more about criteria for Share Your Treasures.</a> Identifier An unambiguous reference to the resource within a given context 1 Still Image Upload at least one image that shows the object in its entirety along with detail views as desired. • Jpeg format • At least 3 MP in size • 300 ppi • Images produced with digital camera to highest quality setting (e.g. superfine, best) are usually acceptable. • Users who want to contribute video or audio files please contact info@centerforknitandcrochet.org for more information. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Date A point or period of time associated with an event in the lifecycle of the resource 1995 Title A name given to the resource bow tie Description An account of the resource Edgardo Gazc√≥n was born into a family of cinema entertainers and producers in Mexico. After completing his BA and MA in Mexico City, he was drawn to television and worked as an actor on telenovelas produced by Televisa. He travelled to Colombia, Puerto Rico, and the US to work on telenovelas and movies. Eventually he was offered a job to join Univision in Los Angeles to work on daytime television after several years he left for Telemundo. In addition to his career in television and movies, he also developed a career as a recording artist. He became so well known that he was often asked to perform in festivals and celebrations, appearing in traditional Mexican charro attire for these events. Gazc√≥n chronicled his experience through his scrapbook, which is in the National Museum of American History's Archives Center. Mo√±o is a Mexican-Spanish term for a bow tie and is part of a mariachi‚Äôs outfit. Used during Edgardo Gazc√≥n‚Äôs singing career from 1990-2000 at performances throughout North America, including Mexico City Main Square Concert, Fiesta Broadway Los Angeles (since 1990 an annual celebration of Cinco de Mayo in downtown Los Angeles), New York City, San Diego, and more. Gazc√≥n wears this specific mono on the 1995 album cover Arena y Mar (Sand and Sea). In the 1950s, consumers made television the centerpiece of the home, fueling competition among broadcasters to create new products, new programming, new stations, and even new networks. Innovators, such as those behind the creation of independent Spanish-language stations and eventually the Spanish International Network (SIN), challenged established broadcasting companies by creating new programming in Spanish and catering to underserved audiences. Established in the early 1960s, SIN knit together independents and created new stations to serve a national audience. With a complex business and legal history, SIN eventually became Univision in the 1980s. In the decades after 1980, Spanish-language programing options grew with recognition of Latinx communities as powerful consumer groups and the advent of new broadcasting technologies such as cable and digital TV. Edgardo Gazc√≥n creci√≥ en el seno de una familia de artistas y productores de cine en M√©xico. Despu√©s de completar su licenciatura y maestr√≠a en la Ciudad de M√©xico, se sinti√≥ atra√≠do por la televisi√≥n y trabaj√≥ como actor en telenovelas producidas por Televisa. Viaj√≥ a Colombia, Puerto Rico y Estados Unidos para trabajar en telenovelas y pel√≠culas. M√°s adelante, le ofrecieron un trabajo en Univision en Los √Ångeles para participar en programas diurnos; despu√©s de varios a√±os se pas√≥ a Telemundo. Adem√°s de su carrera en televisi√≥n y cine, tambi√©n desarroll√≥ una carrera como artista de grabaciones. Era tan reconocido que a menudo se le ped√≠a que participara en festivales y celebraciones, present√°ndose a estos eventos con el atuendo tradicional de charro mexicano. Gazc√≥n registr√≥ sus experiencias en un √°lbum de recortes, que se encuentra en el Centro de Archivos del Museo Nacional de Historia Americana. Mo√±o es un t√©rmino mexicano para referirse a una pajarita y forma parte del atuendo de mariachi. Utilizado por Edgardo Gazc√≥n durante su carrera de cantante entre 1990 y 2000 en actuaciones en toda Am√©rica del Norte, incluyendo el Concierto en la Plaza Mayor de la Ciudad de M√©xico, la Fiesta de Broadway en Los √Ångeles (una celebraci√≥n anual del Cinco de Mayo que se realiza desde 1990 en el centro de Los √Ångeles), la Ciudad de Nueva York y San Diego, entre otras. Gazc√≥n luce este mo√±o en la portada del disco de 1995 Arena y Mar. En la d√©cada de 1950, los consumidores hicieron de la televisi√≥n un componente central de sus hogares, fomentando la competencia entre las difusoras para crear nuevos productos, nueva programaci√≥n, nuevas estaciones, e incluso nuevas redes. Los innovadores, como los creadores de los canales independientes de habla hispana y el Spanish International Network (SIN), desafiaron a las emisoras establecidas creando nuevos programas en espa√±ol centradas en audiencias hist√≥ricamente ignoradas. Establecido a principios de los sesenta, SIN uni√≥ a difusoras independentes y cre√≥ nuevas estaciones para responder a una audiencia nacional. Tras una compleja trayectoria empresarial y legal, SIN se convertir√≠a en Univisi√≥n en la d√©cada de 1980. Durante las pr√≥ximas d√©cadas, las opciones de programaci√≥n en espa√±ol crecieron gracias al reconocimiento de la comunidad Latinx, como poderoso grupo de consumidores, y a la introducci√≥n de nuevas tecnolog√≠as de difusi√≥n, como el cable y la televisi√≥n digital. Currently not on view Subject The topic of the resource Amusements Actors and actresses Music Clothing and dress Dress accessories Journalism Hispanics Latin Americans References A related resource that is referenced, cited, or otherwise pointed to by the described resource. http://collections.si.edu/search/results.htm?q=record_ID=nmah_1881474&amp;repo=DPLA Relation A related resource thumb:001:https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2022q046728&amp;max=150 full:001:https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2022q046728&amp;max=150 linkto:001:http://collections.si.edu/search/results.htm?q=record_ID=nmah_1881474&amp;repo=DPLA Source A related resource from which the described resource is derived Smithsonian Institution