Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Library and Museum Collections Description An account of the resource Please browse the more than 8000 knit- and crochet-related treasures in the CKC Collections Resource <a href="http://digital.centerforknitandcrochet.org/collections/show/1">Museum and Library Collections</a> (drawn from <a href="https://dp.la/info/developers/" target="_blank" rel="noreferrer noopener">Digital Public Library of America</a>). CKC is seeking new partner organizations to share their collections of knitting and crochet with visitors to this resource. Contact us at <a href="mailto:collections@centerforknitandcrochet.org">collections@centerforknitandcrochet.org</a> for more information about participating. <br /><br /><a href="https://docs.google.com/document/d/11Hb_Y75HnhkCE5i4mKpcTlB8Msp_lB0XUtQr5S8XXKA/edit?usp=sharing" target="_blank" rel="noreferrer noopener">Learn more about criteria for Share Your Treasures.</a> Identifier An unambiguous reference to the resource within a given context 1 Still Image Upload at least one image that shows the object in its entirety along with detail views as desired. • Jpeg format • At least 3 MP in size • 300 ppi • Images produced with digital camera to highest quality setting (e.g. superfine, best) are usually acceptable. • Users who want to contribute video or audio files please contact info@centerforknitandcrochet.org for more information. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Date A point or period of time associated with an event in the lifecycle of the resource ca 1970s-1990s Title A name given to the resource El Teatro Puerto Rico jacket Description An account of the resource This ‚Äútheater jacket‚Äù is from El Teatro Puerto Rico, or Puerto Rico Theatre, a landmark performance center and music hall in the Puerto Rican community of the Bronx in New York City. The theater was active from the 1940s until its first closure in 1970. Performer, Gilda Mir√≥s received the jacket from Puerto Rican entrepreneur James S√°nchez, who had purchased the Teatro Puerto Rico. Mir√≥s also hosted radio shows from 1970s through the 1990s which attracted many top Latino artists. Many artists gave Mir√≥s souvenir pins, which became part of the jacket, and added their signatures. The garment became an autograph book and living document of her relationship with Puerto Rican artists and actors. In the 1950s, consumers made television the centerpiece of the home, fueling competition among broadcasters to create new products, new programming, new stations, and even new networks. Innovators, such as those behind the creation of independent Spanish-language stations and eventually the Spanish International Network (SIN), challenged established broadcasting companies by creating new programming in Spanish and catering to underserved audiences. Established in the early 1960s, SIN knit together independents and created new stations to serve a national audience. With a complex business and legal history, SIN eventually became Univision in the 1980s. In the decades after 1980, Spanish-language programing options grew with recognition of Latinx communities as powerful consumer groups and the advent of new broadcasting technologies such as cable and digital TV. Esta ‚Äúchaqueta de teatro‚Äù es del Teatro Puerto Rico, un centro de espect√°culos y sal√≥n de m√∫sica emblem√°tico de la comunidad puertorrique√±a del Bronx en la ciudad de Nueva York. El teatro funcion√≥ desde la d√©cada de 1940 hasta su primer cierre en 1970. La int√©rprete Gilda Mir√≥s recibi√≥ la chaqueta del empresario puertorrique√±o James S√°nchez, quien hab√≠a comprado el Teatro Puerto Rico. Mir√≥s tambi√©n fue presentadora de programas radiales desde la d√©cada de 1970 hasta la de 1990, a los que atrajo a muchos de los mejores artistas latinos. Varios de ellos le obsequiaron broches de recuerdo que pasaron a formar parte de su chaqueta, junto con sus firmas. La prenda se convirti√≥ en libro de aut√≥grafos y documento su relaci√≥n con artistas y actores puertorrique√±os. En la d√©cada de 1950, los consumidores hicieron de la televisi√≥n un componente central de sus hogares, fomentando la competencia entre las difusoras para crear nuevos productos, nueva programaci√≥n, nuevas estaciones, e incluso nuevas redes. Los innovadores, como los creadores de los canales independientes de habla hispana y el Spanish International Network (SIN), desafiaron a las emisoras establecidas creando nuevos programas en espa√±ol centradas en audiencias hist√≥ricamente ignoradas. Establecido a principios de los sesenta, SIN uni√≥ a difusoras independentes y cre√≥ nuevas estaciones para responder a una audiencia nacional. Tras una compleja trayectoria empresarial y legal, SIN se convertir√≠a en Univisi√≥n en la d√©cada de 1980. Durante las pr√≥ximas d√©cadas, las opciones de programaci√≥n en espa√±ol crecieron gracias al reconocimiento de la comunidad Latinx, como poderoso grupo de consumidores, y a la introducci√≥n de nuevas tecnolog√≠as de difusi√≥n, como el cable y la televisi√≥n digital. Currently not on view Subject The topic of the resource Theater Amusements Women's History Costume Authors Hispanics Spaniards Latin Americans References A related resource that is referenced, cited, or otherwise pointed to by the described resource. http://collections.si.edu/search/results.htm?q=record_ID=nmah_1847925&amp;repo=DPLA Relation A related resource thumb:001:https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2021q049667&amp;max=150 full:001:https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2021q049667&amp;max=150 linkto:001:http://collections.si.edu/search/results.htm?q=record_ID=nmah_1847925&amp;repo=DPLA Source A related resource from which the described resource is derived Smithsonian Institution