<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:dcterms="http://purl.org/dc/terms/">
<rdf:Description rdf:about="https://digital.centerforknitandcrochet.org/items/show/37684">
    <dcterms:title><![CDATA[pocket square]]></dcterms:title>
    <dcterms:subject><![CDATA[Christian Dior, Inc]]></dcterms:subject>
    <dcterms:subject><![CDATA[Latin Americans]]></dcterms:subject>
    <dcterms:description><![CDATA[Hector Aguilar, trusted journalist and senior anchor at WNJU in New Jersey wore this jacket. Aguilar, a Cuban refugee who migrated to the United States in the 1960s, worked in broadcasting from an early age and made a career in radio and television. He chose stylish but formal clothing to signal his respect for the news and his audiences; he took both seriously and became a respected personality that viewers turned to for the news.]]></dcterms:description>
    <dcterms:description><![CDATA[The pocket silks Hector Aguilar wore were always in various patterns such as these three and most often than not, were from Italian or French collections. He liked designers such as Yves St. Laurent and Christian Dior.]]></dcterms:description>
    <dcterms:description><![CDATA[In the 1950s, consumers made television the centerpiece of the home, fueling competition among broadcasters to create new products, new programming, new stations, and even new networks. Innovators, such as those behind the creation of independent Spanish-language stations and eventually the Spanish International Network (SIN), challenged established broadcasting companies by creating new programming in Spanish and catering to underserved audiences. Established in the early 1960s, SIN knit together independents and created new stations to serve a national audience. With a complex business and legal history, SIN eventually became Univision in the 1980s. In the decades after 1980, Spanish-language programing options grew with recognition of Latinx communities as powerful consumer groups and the advent of new broadcasting technologies such as cable and digital TV.]]></dcterms:description>
    <dcterms:description><![CDATA[H√©ctor Aguilar, periodista de renombre y presentador principal de WNJU en Nueva Jersey visti√≥ uso este pa√±uelo. Aguilar, un refugiado cubano que emigr√≥ a Estados Unidos en la d√©cada de 1960, comenz√≥ a trabajar en radiodifusi√≥n desde temprana edad e hizo carrera en la radio y la televisi√≥n. Eligi√≥ ropa elegante pero formal, para manifestar respeto por las noticias y por su audiencia; se dedic√≥ con seriedad a ambos y se convirti√≥ en una personalidad respetada a la que los espectadores acud√≠an para mantenerse informados.]]></dcterms:description>
    <dcterms:description><![CDATA[Los pa√±uelos de seda de bolsillo que usaba H√©ctor Aguilar siempre luc√≠an variados patrones, como estos tres, y la mayor√≠a de las veces, eran de colecciones italianas o francesas. Le gustaban dise√±adores como Yves St. Laurent y Christian Dior.]]></dcterms:description>
    <dcterms:description><![CDATA[En la d√©cada de 1950, los consumidores hicieron de la televisi√≥n un componente central de sus hogares, fomentando la competencia entre las difusoras para crear nuevos productos, nueva programaci√≥n, nuevas estaciones, e incluso nuevas redes. Los innovadores, como los creadores de los canales independientes de habla hispana y el Spanish International Network (SIN), desafiaron a las emisoras establecidas creando nuevos programas en espa√±ol centradas en audiencias hist√≥ricamente ignoradas. Establecido a principios de los sesenta, SIN uni√≥ a difusoras independentes y cre√≥ nuevas estaciones para responder a una audiencia nacional. Tras una compleja trayectoria empresarial y legal, SIN se convertir√≠a en Univisi√≥n en la d√©cada de 1980. Durante las pr√≥ximas d√©cadas, las opciones de programaci√≥n en espa√±ol crecieron gracias al reconocimiento de la comunidad Latinx, como poderoso grupo de consumidores, y a la introducci√≥n de nuevas tecnolog√≠as de difusi√≥n, como el cable y la televisi√≥n digital.]]></dcterms:description>
    <dcterms:description><![CDATA[Currently not on view]]></dcterms:description>
    <dcterms:creator><![CDATA[Christian Dior, Inc]]></dcterms:creator>
    <dcterms:source><![CDATA[Smithsonian Institution]]></dcterms:source>
    <dcterms:date><![CDATA[ca mid-1990s]]></dcterms:date>
    <dcterms:relation><![CDATA[<div class="item-relation"><a href="http://collections.si.edu/search/results.htm?q=record_ID=nmah_1849049&amp;repo=DPLA" target="_blank"><img src="https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2018q000089&amp;max=150" alt="https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2018q000089&amp;max=150" height="200"></img></a></div>]]></dcterms:relation>
    <dcterms:references><![CDATA[http://collections.si.edu/search/results.htm?q=record_ID=nmah_1849049&amp;repo=DPLA]]></dcterms:references>
</rdf:Description></rdf:RDF>