Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Library and Museum Collections Description An account of the resource Please browse the more than 8000 knit- and crochet-related treasures in the CKC Collections Resource <a href="http://digital.centerforknitandcrochet.org/collections/show/1">Museum and Library Collections</a> (drawn from <a href="https://dp.la/info/developers/" target="_blank" rel="noreferrer noopener">Digital Public Library of America</a>). CKC is seeking new partner organizations to share their collections of knitting and crochet with visitors to this resource. Contact us at <a href="mailto:collections@centerforknitandcrochet.org">collections@centerforknitandcrochet.org</a> for more information about participating. <br /><br /><a href="https://docs.google.com/document/d/11Hb_Y75HnhkCE5i4mKpcTlB8Msp_lB0XUtQr5S8XXKA/edit?usp=sharing" target="_blank" rel="noreferrer noopener">Learn more about criteria for Share Your Treasures.</a> Identifier An unambiguous reference to the resource within a given context 1 Still Image Upload at least one image that shows the object in its entirety along with detail views as desired. • Jpeg format • At least 3 MP in size • 300 ppi • Images produced with digital camera to highest quality setting (e.g. superfine, best) are usually acceptable. • Users who want to contribute video or audio files please contact info@centerforknitandcrochet.org for more information. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Date A point or period of time associated with an event in the lifecycle of the resource ca mid-1990s Title A name given to the resource pocket square Description An account of the resource Hector Aguilar, trusted journalist and senior anchor at WNJU in New Jersey wore this jacket. Aguilar, a Cuban refugee who migrated to the United States in the 1960s, worked in broadcasting from an early age and made a career in radio and television. He chose stylish but formal clothing to signal his respect for the news and his audiences; he took both seriously and became a respected personality that viewers turned to for the news. The pocket silks Hector Aguilar wore were always in various patterns such as these three and most often than not, were from Italian or French collections. He liked designers such as Yves St. Laurent and Christian Dior. In the 1950s, consumers made television the centerpiece of the home, fueling competition among broadcasters to create new products, new programming, new stations, and even new networks. Innovators, such as those behind the creation of independent Spanish-language stations and eventually the Spanish International Network (SIN), challenged established broadcasting companies by creating new programming in Spanish and catering to underserved audiences. Established in the early 1960s, SIN knit together independents and created new stations to serve a national audience. With a complex business and legal history, SIN eventually became Univision in the 1980s. In the decades after 1980, Spanish-language programing options grew with recognition of Latinx communities as powerful consumer groups and the advent of new broadcasting technologies such as cable and digital TV. H√©ctor Aguilar, periodista de renombre y presentador principal de WNJU en Nueva Jersey visti√≥ uso este pa√±uelo. Aguilar, un refugiado cubano que emigr√≥ a Estados Unidos en la d√©cada de 1960, comenz√≥ a trabajar en radiodifusi√≥n desde temprana edad e hizo carrera en la radio y la televisi√≥n. Eligi√≥ ropa elegante pero formal, para manifestar respeto por las noticias y por su audiencia; se dedic√≥ con seriedad a ambos y se convirti√≥ en una personalidad respetada a la que los espectadores acud√≠an para mantenerse informados. Los pa√±uelos de seda de bolsillo que usaba H√©ctor Aguilar siempre luc√≠an variados patrones, como estos tres, y la mayor√≠a de las veces, eran de colecciones italianas o francesas. Le gustaban dise√±adores como Yves St. Laurent y Christian Dior. En la d√©cada de 1950, los consumidores hicieron de la televisi√≥n un componente central de sus hogares, fomentando la competencia entre las difusoras para crear nuevos productos, nueva programaci√≥n, nuevas estaciones, e incluso nuevas redes. Los innovadores, como los creadores de los canales independientes de habla hispana y el Spanish International Network (SIN), desafiaron a las emisoras establecidas creando nuevos programas en espa√±ol centradas en audiencias hist√≥ricamente ignoradas. Establecido a principios de los sesenta, SIN uni√≥ a difusoras independentes y cre√≥ nuevas estaciones para responder a una audiencia nacional. Tras una compleja trayectoria empresarial y legal, SIN se convertir√≠a en Univisi√≥n en la d√©cada de 1980. Durante las pr√≥ximas d√©cadas, las opciones de programaci√≥n en espa√±ol crecieron gracias al reconocimiento de la comunidad Latinx, como poderoso grupo de consumidores, y a la introducci√≥n de nuevas tecnolog√≠as de difusi√≥n, como el cable y la televisi√≥n digital. Currently not on view Subject The topic of the resource Christian Dior, Inc Latin Americans Creator An entity primarily responsible for making the resource Christian Dior, Inc References A related resource that is referenced, cited, or otherwise pointed to by the described resource. http://collections.si.edu/search/results.htm?q=record_ID=nmah_1849049&amp;repo=DPLA Relation A related resource thumb:001:https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2018q000089&amp;max=150 full:001:https://ids.si.edu/ids/deliveryService?id=NMAH-AHB2018q000089&amp;max=150 linkto:001:http://collections.si.edu/search/results.htm?q=record_ID=nmah_1849049&amp;repo=DPLA Source A related resource from which the described resource is derived Smithsonian Institution