Issue 4.4 of the Review for Religious, 1945.
" GRACE AND ~BEAUTY~--G’. AuguStine Ellard, S.J" ......... 217 ENEMIES OF FAITHmF. X. McMenamy, S.J ....... " .... 229 NEWMAN AND THE RELIGIOUS LIFE Walter J..On.g, S.J. y : .. ~’230 ¯ WHY DOES FATHER ASK QUESTIONS? Gerald Kelly, S.J. Bo~JKs RECEIVED ............. , ...... .~252~ PERFECTION IS UNION WI*FH,GOD .~Aug, ustine .Klaas,. S.J. ., 253, PAMPHLET NOTICES ,:~ . ..-. ....... OUR LADY
S PARENTS Francis L. Filas, S.J ......~ ....... .OUR’ CONTRIBUTORg / ..... ’ ~ ....... ~ ~- 270 QUEST~IO,N~ AND ANSWERS~. , 35. Blessed Ashes and Things Put in Sacrar~um- " (.’ 271° ~ 36. Jurisdiction o~Mother Generiil and ,Local~Superior .... ~7.. Bo~y of Deceased Sister in Community Chapel .... 38. Permission to Close Religious House . . . . .... : . 272 ~ 39.~ Rosaries of String for fi.rmed Forces Only. .° . . ,: . . .o .~273 ~40.~Vows and Status of Reliigious.with Mental Disorder ...-... ’2_.73) ,41. Anticipating Date of Perpetual Vows .- ..... : .’ .-’. , 275 42. ,Su.pterior’s Obligation t6 Pro¢ide Monthly Conference COMMUNICATIONS ’ ’ ~ " ~77 ’ ~BOOK ’REVIEWS~ :7 ’ ~A’Dynamic World Order
That You May Live: Too S~nall a Wo-rld: The Hope of the.Har4es~
The Nu’rse:. Handmaid of the DivineoPhysi-." _ ¢ian
.Enjoying the NeW Testament ...... ~: . . . ’ 28.2 REVIEW FOR RELIGIOUS, July, 1945. Vol.IV, No. "4. Publishdd-bi- ’monthly: January, March.May, July,S¢ptemb,er, ahd N0ve~ber at the College Press. 606 Harrison Street, Topeka, Kansas, by St.’Mary’s College, St., Marys, Kansas, with ecclesiastical appr.obation.’ Entered as second clas~ matter January 15 1942’
at the Post Office, Topeka,,~Kansas, "under the act bf March 3, 1879: ’ "~ Editorial Board: Adam C. Ellis. S.J., G~ ~ugustine Ellard, oS.J., Gerald Keily~ S.J. Editorial Secretary
: Alfred F, Schneider, S~J.2 Copyright, 1945, by’Adam C. Ellis. .Permission is hereby granted’for quotations of, reasonable length, provided due credit be given this r~view an’d the autt~’b~. Subscription pride: 2 dollars a ~’ear. ~ ~ Pilnted in U: S. A. Before writing to’us, please consult notice on Inside fiack cover. G. Augustine Ellard, S.,J. AN EFFECT of sanctifying grace that does not seem to get as much mention and consideration as it deserves is the beauty that it possesses .and adds to the soul. And yet beauty, with truth and goodness, is the object of the principal aspirations of every spirit. Moreover, beauty is an important element,in the value of grace. A clearer .knowledge of the beauty of grace should lead to a highe~ appreciation of it and a more eager desire for it. I. One could hardly hope in the present stage of the evolution of esthetic.philosophy to propose a for.mal defini-tion of beauty that would be generally acceptable. For-tunately, it is one of those things of which nearly every-body feels that he has a fairly satisfactory empirical notion, even though he could not set it forth in words.. Among the definitions of beauty current among those who have studied the matter in the light of Aristotellan br Thomistic philosophy .we find : "the spl~ndor of truth" (attributed to Plato)
"the splendor of order" (St. Augustine)
"the effulgence of form in material elements definiti~ly limited and proportioned, ok in different forces or actions" (S~. Thomas)
"the goodness of a thing inasmuch as when known .by the mind it gives delight" (Kleiltgen, [3ung-mann)
and "the perfettion of a thing that makes it pleasing to behold" (Gietmann). Some would place beauty in truth, others in the goodness of a thing, arid still others in both truth and goodness together .... Even when it ¯ is embodied in material objects, the perception of it i~ essentia!ly spiritual: animals give no evidence of,having a sense of the beautiful. 217 G. AUGUSTINE ELLARD Reoietu for~ Religidus Beauty may be either physical or moral. !V~oral beauty is found only:iiri th~ character or moral activity of persons
when one’s characte,.r or action,i~ such that the very sight or thought of it ~tit~S delight and admiration, then it is morally..beautiful. Many insta.n.ces of heroism are examples :of it." All 6thOr beauty is physical. This may be material o~ sigiritual. About the material ’ther~ will be rio difficulty, and about the spiritual there need be none. It is simply that beauty which belongs to spirits, as material beauty belongs to visible things. To see and appreciate it properly is poss!ble, of course, only to ~pi~its themselves
but wecan have an analogous knowledge and enjoyment of it. It is very evident that angels must perceive one another and that that perception, of itself, must bring pleasure, in fact, great ¯ pleasure, betause prest~mably the beauty of angels is pro-poi: tionate to. their general ~perfection. Therefore one (good) angel viewing another and finding him pleasant to behold would be ~xperiencing What is meant by physical ~spiritual beauty. ’The angels now in heaven possess, as a matter of fact over and above the beauty that follows their angelic nature, the supernatural beauty of grace. Being g.ood, they exhibit also, of course, moral beauty. Simi-larly, human souls or spirits now i’n heaven and adorned with grace give pleasure to all who see them, both by reason of the natural perfection .and beauty of the. human spirit and because of the love!iness of their grace. It is well to¯note that to please ordelight, the. beautiful need not actfially be seen. It is sufficient that it can be seen, or hgs" been°seen, or can be ~epresented in quasi.-vision before the mind, A young man ’enjoys his belov.ed’s beaut~, even when she isabsent: A living human soul in graOe is an object of actuAland full complacence to ~whoever sees it
. therefore c~rtainly to God, most probably to one’s guardian angel, and perhaps to all the blessed. In heaven its beauty 218 duly, 1945 GRACE AND BEAUTY will add to the joys of all the angels and saints. Meanwhile there can be great satisfaction in really bein~l beautiful, though that beauty be all hidden.within, and in expecting the future manifestation of it. II. Other works:of God are beautiful
therefore, grace. is beautiful. In view of the extension.of beautyih God’s works and the intensity of it in His greater creatures
this argu, ment from induction or analogy, seems to be legitimate. "The firmament on high is his beauty, the beauty of heaven with its glorious shew .... The glory of the stars is the beauty-of heaven
the Lord enlighteneth the world on high ..... Look upon the rainbow and bless him that made it: it is very beautiful in its brightness." (Ecclesiasticus 13 : 1, 10, 12.) If the Supreme Artist has produced beauty so widely, and so profusely throughout His creationm -in natural scenery, inthe forms of crytallization, in flowers, in birds, in the human form and face, and in the angelic nature--it is not likely that He l’ias d~nied a high degree of it to wha.t is in a very true sense one of the greatest of all His productio.ns, namely, sanctifying grace. III. A consideration of the nature of grace confirms the conclusion indicated by induction or analogy. Sanctifying grace is essentially a participation in the divine nature, .that is, in what is in God the fundamental principle of the activity that i~s most characteristic of Him, namely, the direct intuition of infinite truth. Now God Himself must be supremely beautiful. He is the first author of all that is beautiful in His universe, in inanimate scenery, in the stars of the heavens, in the vegetative k.ingdom,. in animals, in men and women, and in the angels. "Let them [men] observing the works of the Creator know how’ much the Lord of .them is more beautiful than they: for the first author, of beauty made all tho~e things .... For by the greatness of the beauty, and of the creatures, the Creator of 219 G. AUGUSTINE ELLARD Review fo~’" Religious them may be seen, so as to be known thereby." (Wisdom 13: 3, "5.) Moreoverall the beauties of human art are ultimately.His creations. As a matter of fact God is not only the origin of all beauty
He is Beauty Itself, absolute, infinite, ineffable beauty, without the slightest admixture of anything that could detract from it. That beauty must be infinite, because the~being, truth, and goodness upon which it is founded are immeasurable. Though all perfec-tions are there, they are unified in the highest degree in abso-lute simplicity, and thus they. exist in the most admirable harmony. God is Hisown uialimited light, brightness, and brilliance. Long ago St. Augustine wrote of the beauty of God: "Consider the whole universe
the,heavens, the earth, the sea, all that is in heaveh or on earth or in the sea: how beau-tiful, how marvelous, how well and wisely arranged it al! is! Do these things move.you? Of course.they move you. Why? Because they are.beautiful. What then of Him. who made them? You would be stunned, I tt’iink, if you saw the beauty of the angels. What therefore of the Creator of tt~e Angels?" ($erm. 19, n.5: ML. 38, 136.) And St. Basil the Great: "Is there anything, I ask, more wonderful than the divine beauty? . .What thought is.there more delightful and pleasant than the magnifice ,rice of God? ¯.. Altogether ineffable and indescribable is the brilliance of the divine beauty. Speech cannot make it known, nor ear receive it. Even though you should, think of the splendors of the morning star, the brightness of .the moon, or the light of the sun, everything beside the glory of that beauty. is insignificant and dark, and compared with the true light .is more distant from it than the depth of a gloomy and moonless night from the clearest noonday sun." (Reg. Fus. Tract.
Inteccog. 2, n. 1
MG. 31, 910.) Comprehensively to knox~T the magnitude and fascina£ 220 tibn of Beauty Itself and the enrapturing~effect ofbeholding it is pos~ibl’e only to one of the Bli~ssed Trinity. To.have some proper conception of itand how it feels subjectivdly to. see it is: possible only to those who have experienced the beatific vision, and even they c~uld not express itin human lariguage. Surely it is most significant that, giventhe pres-ent superna~u’ral order oi~ things, nothing on earth or in heaven except the .sight of God can quite satisfy, and quiet the’ aspirations of the human spirit. But the sight of infinite truth, goodhess, and beauty is sufficient to beatify even the. divine spirit. Even though the beauty of God must remain concealed from us while we are burdened with the veils of mortality, it is so great that for some contemplatives it can ¯ become a source of the most exquisite delight and ecstasy and a most potent stimulus to di~’ine love. ~, Now sanctifying grace, being a participation oi: the divine nature~ and hence of the divine beauty,’ must itself be correspondingly beautiful. Or, in other terms, grace is an assimilation to the divine nature and a resemblarice to it, and must slSar’e in its beauty as a’copy partakes of the excel-lence of a masterpiece. With the sonship to God which grace confer~ it must also brihg something of the paternal lineaments and features. -_,~ St. Cyril of ~Alexandria, speaking of the effect 6f grace, wrote: ".Is it not the Spirit thi~t carves the divine image upon us and like a seal imprints upon us a beauty su.perior to any in the world?" (Dial. 7 De Trin., p. 683.) .Again: "All of us who have :believed and become c6nforrned to God have been made, through union with the Son and the Holy Spirit, paiticipants of.thee divine nature, not only in name but in very reality in as much as we have been glori-fied with a beauty that is above all creation. For Christ is fashioned in us.in a manner that is indescribable, not as one 6feature in another, but as God in created nature in.that He 221 G. AUGUSTINE ELLARD Revieu~ for Religious has transformed our created nature through the Holy Spi.rit into His likeness and raised us to a dignity surpassing that. of all creatures." (De Trin. L. 4.) "The Spirit does not, like a painter, reproduce the divine substance in us as if He were extraneous to it, nor does He in .this way bring us to the likeness of God: rather He Himself who is God and pro-ceeds from God is .invisibly impressed upon the hearts of those wh6 receive Him like a seal upon wax, through com-munion and likeness to Himself, again painting our nature with the beauty of its original model and manifesting the divine image in man." (Tfiesaur., MG. 75, 609:) St. Basil: "Man was made according to the image and likeness of God, but sin destroyed the beauty of that image ¯.. Let us return to the original grace from which we were ~alienated by sin. And let us beautify ourselves in the like-ness of God." (Serroo Ascet., MG., 31, 869.) Similarly St. Ambrose: "You have been painted there-fore, O man, and painted by the Lord thy God, You have a good artist and painter
do not. spoil the good painting, resplendent, not with color, but with the truth
expressed not~ with wax, but with grace," (Hex. VI, 47.) And St. Augustine: "Human nattire, When it is justified by its Creato~r, is changed from ugliness and deformii:y into a lovely and beautiful form" (De Trin. XV, c. 8, n. 14). IV, Grace also gives one a share in the beauty of Christ. Among the three divine persons of the Blessed Trinity .bea’uty is appropriatedparticularly to the Word, as "being the flashing-forth of" the Father’s "glory, and the very .expression of his being" (Hebrews 1:3)i, or, in Knox’s yersion, "who is the radianc~ of his Father’s splendour, and the full expression of his being~" Even the created beauty of the humanity of Christ, natural and supernatural, physical and¯ moral, material andspiritual, is very great indeed and an object of the keenest delight to all the angels 222 Jul~, 1945 GRACE ,~NI~ BEAUTY and saints who see it. The Church in her liturgy often proclaims that .beauty: "Thou art beautiful above the sons of men: grace is poured abroad in thy lips .... With thy comeliness and thy beauty set out, proceed p~osperously, and reign." (Psalm 44:3-.5.) Commenting on this passage St. Augustine. wrote: ’,He is beautiful as God, the Word with the Father
He is beautiful i~ the womb .of the Virgin, where He assumed human_ity and did not lose His divinity.
He is beautiful as .a new-born babe and silent Word (infar~s Verbum) .... Beautiful therefore in heaven, beautiful~ on on the earth
.... beautiful .in His miracle~, beautiful in the scourging
beautiful while callii~g to life,~ and beautiful in not caring about death
beautiful as He lays down His life,.and beautiful in taking it back: beautiful on t.he. cross, beautiful in the sepulcher, beautiful in heaven .... Let not, the imperfections of this body turn your eyes away from the splendor of His beauty. (In Psalm. 44, 3.) Clement of Alexandria thus extolls the.attractiveness of Christ: "Our Savior surpasses all human nature. Indeed He is so beautiful that ’ He ’ alone deserves to be loved b31 us, if we desire true beauty
for He was the truelight." (St~r,om. L. 2, c. 5.) ’ . ~ All who receive sanctifying, grace are adorned after the model of Ch~:ist: "For all Of you who were bapt.i~zed into Christ, have pu~ on Christ" (Gala.tinny3:27):1 "My children witt~ whom I am again in tra.~ai.l,~ until Christ be formed in you" (Ibid. 4: 19) : "Those Whom he hath fore-known, them he hath predestined to bear a nature in the ima~ge of his Son’s, that he should be first-born among many brethren" (Romans 8:i9). The Fathers of the Church like to emphasize the 1New Testament texts quoted in this article are from the Westminster Edition. 223 G. AUGUSTINE ELLARD Retffeu~ for Religious ?esemblance even in appearance between Christ and Chris-tians., Thus St. Cyril.of Alexandria writes: "Nor should we be sons by. adopti.on and inlikeness if there were no real and true son
to His form we are fashioned
to beilike Him we are transformed with a certain art and grace" (Tbesaur. MG., 75, 526). "One is molded to become a son of God according to an excellent model .... This beauty is spiritual. ~ By participation in the Holy Spirit they ar~ fashioned in Christ as it were, according to Him as a model .... Christ is indeed formed in us, the Holy Spirit impres.sing upon us a certain figurel ~hrough holi-ness and jusgice." (In Isaiarn
70, 936.) Sim!larly St. Gregory’Nazianzene writes: "Since the day -when y’ou were changed by baptism, all your old features have disappeared, .and one.f°rm l~as been imlSressed upon you all, namely, that of Christ" (Or. 40 In Sancta Lurn., n. 27). V. According to the analysis of the beautiful made by St. Thomas., and followed by many Catholik savants, there are three chief elements that concur to make a thing ¯ beautiful
- integrity, harmony, and brightness. Evidently integrity or completeness, in all parts is neces~’.~y. A person who has lost, say, an arm or a leg would ~:i~ly be a candidate for a beauty prize, nor could a buil’d~.~bf w.,,.hich some integral part has been destroyed exemplify architec~,ural beauty. It is deaf too that .har-mony, taken.in~
. ,,a~~.~bgr,~o a,_d sense so as to include symmetry, proportion,, oraer, aria in general proper agreement, is required. All the different components that enter into the constitution of a thing ~bat has beauty~for instance, a cathedral~must have appr6priate size, mutually sui~ one ~nother, be suitably arranged, and all in all so fit together into one.coherent whole as really to mak~ a unit and con-vey .a unified impressioia. Order in some sense is so essential 224 dul~t,.1945 .. GRACE AND BEAUTY to beauty that disorder and ugliness are almost synony-mous. = It may be noticed in passing that the name "cos-mos" for the uni~rerse as an ordered system of ,things and th~ term "cosmetics," the art of improving ,:feminine beauty, both come from the same old Greek word for "order." ¯ There is an order that we may call static
it is illus-trated, ¯ for example, in the disposition of an artistically planned pai’b]ti.ng 0r building. Dynamic order is found wherever different movements or actions are subordinated to one purpose: for instance, in the.mecbanlsm of an auto-mobile or in the multitudinous movements of an orches-tra. Order is in a peculiar sense the offspring of intelli-gence
and wherever it is found’and in.whatever degree, it gives satisfaction to the mind that p~rceives it. Though variety is said’ to please, no great degree of it is necessary if there be sufficient’richness of content,’ as, for example, in the finest silks or velvets, similarly certain single colors and tones, if they be sufficiently pure,, rich, and clear, seem t9 be beautiful. ’~The e~y,,e admireth at the beauty of the whiteness thereof tsnow] (Ecclesiasticus 43:20). ~. , The third elen~ent required for the beautiful °is,!bright-heSS. Perfection of being, which is otherwise ~ibl~ to delight one who simply considers it, can hardl,y rfiake much of an impression on one who does not se~ it iclearly. Relat.ively to us, therefore, at least, a ~certain clari~ty of presentation is necessary. J,udged by these three criteria., namely, integrity, har-mony, and brightness
.grace has a right to be called beau-tiful. That it possesses integrity, or in other words that it has all that pertains to its perfection, may be inferred from its spirituality, and also from the fact that it is a creation of the .Divine Artist exclusively. He could not leave one. of ’the highest and noblest of His works incomplete nor 225 G, AUGUSTINE ELLARD Review for Religious inferior in appearance. There is an admirable harmony or order about sanc-tifying grace. To begin with, it sets a person in just the right essential_supernatural’ relatiori to God, and thus, :at ~least indirectly, with respect to all other persons and things. Grace is alsoa prindple of order within a man himself inasmuch as it is a source 0f supernatural moral, order and propriety, and hence of .beauty, in all his con-duct. Moreover sanctifyin~ gr.ace’possesses order within itself in the sense that it brings with itself and keeps in proportion all the infused moral virtues and the gifts of the Holy Spirit. All these taken together constitute the supernatural organism, the anatomical basis, so to speak, of the supernatural life, and this organism must have a proportion and symmetry and harmony equal to its gen-. eral excellence. Being spiritual, it must be superior to whatever is material
being of itself immortal and incor- ~uptible,,its beauty should be corr.espondingly great and lovely. Not only this, but since it is supernatural, its attractiveness should be higher ’and better than merely natural spiritual beauty. Oftentimes one of the principal sources of,the satisfaction found in the esthetic contempla-fion of works of beauty is the perception df how the artist has really reached or approached the ideal which was evidently before his mind. In grace, Which is a super-natural likeness of the divinity_---in fact the highest pos-sible likeness of it---~.the in’tended correspondence between the model or ideal and the real must be perfe.ct and com-plete since God Himself is the artist who ~produces it. That grace possesses brightness and adds. a certain light to the soul that it adorns is.abundantly evident from the fact that in all the literature on grace, whether ancient or modern,, light is one of the analogues most commonly used to explain it. Thus the Catechism of the Council of Trent 226 dul~t, 1945 GRACE AND BEAUTY says that grace is "a certain splendor and light, which blots out all.the stains of our souls and makes thos~ souls them- . selves more beautiful and splendid’.’ (Or: Balatisrn, 50). Grace, therefore, has its own spir.itual and supernatural ¯ integrity, harm.ony, and brightness, and as such is beautiful or fair to behold. ¯ VI. Beauty as ~an effect of grace was a favorite theme with St. ¯Bonaventure. He liked to conceive grace as making one a sort of spouse of God. Hence it was natural for St, Bonaventure to emphasize the adornment that grace confers and that high and special kind of beauty’ which becomes a spouse of God. It makes one so attrac-tive and lovely in the sight of God that one become.s a fit object of divine complacence. "The .king shall greatly desire thy beauty: for he is the Lord thy God, and him they shall adore" (Psalm 44:12). "How beautiful art thou, and how comely, my dearest, in delights" (Canticle of Canticles 7: 6). VII. Among the lekser eventual effects of grace will be the resurrection and the beauty of the glorified body. "Then ’shall the just.shine forth a.s the sun’ in the king-dom of their Father" (Matthew 13:43). "The Lord 3esus ’Christ... will tr~lnsform the body of our lowliness, that it may be one with the body of his glory, by the force of that power whereby he is able tb subject all things to himself" (Philippians 3:21). The physical beauty of the glorified body will be yer~ great indeed, even in the case of those in whom it will be least, for instance, in the bodies of b~ptized infants who entered paradise with the lowest measure of grace, or in those sinners or converts who barely squeezed in fit the last moment. "There are heavenly bodies and earthly bodies
but the glory of the heavenly is different from that of the earthly’" (I Corinthians 15:40). Oftentimes, 227 G. AUGUSTINE ELLARD ’R~vieu~ [or Religious if not too often, mortal human beauty is enough to enchant and transport men..It is the product of a merely natural process or of the cosmetician’s art. Immortal human beauty Will be the creation of the Infinite Artist Himself and such’ as befits the final and crowning state of His uni~rerse. The human beauty that we see here is o. nly.too evanescent
celeso tial~ human beauty will be eternal,, forever adding to the delight of all who behold it. Human beauty in this life is granted indiscriminately to the good, bad, and..indifferent. with the advantage rather in favor of the indifferent or bad. -at least because they are more gi.ven to cultivating it. Glorio fled b~au~y is~ reserved for God’s. own elect and favorites. Beaut.y here .issuch as becomes this vale of tears
beauty there must be great enough to harmonize with the mag-nificence of the ~elestial mansions and theexcellence of the" persons who form the celestial society. The least beautiful glorified body should be at the minimum, it would seem, incomparably more.lovely than the. most beautiful body not yet glorified. .’What then of the most beautiful men and women in heaven? The personal physical beauty, not only the spiritual, but particularly now that of the glorified bodies of the ~lect, will, like the beatific vision itself, be proportion~ate to~ ~the. amount of grace with which they entered heaven. "There is the ~!ory o~ the sun, and the glory of the moon, and the’glory of the star~
for star differeth from star in glo,ry. And so it is with the resurrection of the dead."" (I Corinthians. 15: 41, 42.) "In the final state such will be the subjection’of t.hebody to the soul that even the quality of the body will. follow the excelience of the mind: whence according to the different degrees of merit, one soul will be more Worthy than another and one body more glorious, than another" (St. Thomas, In II Dist. 21, q. 2, a. 1). VIII. The practical conclusion from all these consid-. 228 GRACE AND BE/~UTY erations is that one who desires to possess the optimum quality and the maximum quantity of beauty, natural and supernatural, physical and moral, spiritual, and b6dily, who wishes to let the greatest number of the best persons enjoy.it, and who would retain all that beauty for the !onges.t time, should devote oneself to accumulating the highest possible measure ofsanctifying grace. Moreover, the more grace one has, the keener will be one’s Vision and fruition of the infinite beaugy of God Himself and of all the finite beauty, whether in persons or things, in heaven and throughout the whole universe, and that eternally. ENEMIES OF FAITH The enemies of faith are tw, o and .they are closely related to each othe, r, sin and worldliness, All sin but especially habits of sin obscure spiritual v~sion: make it hard for the mind to see God’s full truth. Sin is a thing of darkness, and it loves the darkness to hide its sham~. Worldliness, however, is perhaps the greater enemy of a living faith because more common, more plausible, more insidious seeing that its manifestations are not’always obviously sinful. Worldliness is!a cast of mind and a habit of will that ignore divine adoption: the blight of a naturalism that vitiates one’s appraisals, one’s likes and dislikes, all of one’s habits of life as though one.~were not a son of God. Gradu-ally but surely does it extinguiih the ligl-it bf th~ new knowledge to end in darkness and sin "and disrelish for prayer and the beautiful realities of God.--F. X. MCMENAMY, S.J., in Alter Christus. 229 ’ Walter J. Ong, S.J.- MANY religious, sensing beneath the writings of John Henry,Cardinal Newman a character sympathetic to their way of 1if,e, must have asked thdmselves: Why did Newman not become a religious? In this centenary year of his conversion, many will recall that for some time after Newman was received into the Church’on October 9, 1845~ heithought seriously about the religious life as a vocation for himself and for others of the group of Anglicans who came into the Church with him. ~ In a .sense, he finally’ decided both for and against the religious state. A year and ~ half after his conversion, he chos,e, in the life devised by St, Philip Neri for his Ora-torians, a place for himself half-way between that of the religious and~that of the diocesan priest.. For members of an Oratory of St. Philip Neri are priests, and assisting lay brothers, who live under obedience in a ~ommunity. Never-theless, they are not religious, for they live thus without public vows. The Oratorian community, compared to a religious community,.ii thus very !oosely knit. Each mem-ber in great part provides for his own material needs out of his own resources, and each is free to leave should he wish to do so. Why. did. Newman settle upon this kind of life? Appeal of Religious Life? Was it because the religious life did not at all. appeal ,to him? Some might suspect this. Indeed, owith all the "230 NEWMAN AND THE RELIGIOUS LIFE writing there is about Newman’, it would not .be surprising if ~omeone who likes to spade around in the subconscious has turned up a theory that Newman did not become a religious because the re.ligious life demanded too much self-abnegation. Perhaps someone has. Int~res.ting and even amusing texts could be quoted to support the theory. Let us quote a few. Reactions to Religious Observance? In 1846, the year after their conversion, and before their ordination to the priesthood, .Newman and his fellow-convert Ambrose St. John were to go to Rome, where they hoped to mature some definite plans for their future activity in the Church. At Rome they.would s.tay at the Co.llegio di Propaganda, a seminary conducted by theRoman Con-gregation of the Propagation of-the Faith. In this.semi-nary,, or. college, studies were made by many of tbose destined for the priesthood in missionary countries, among which countries England, like America, was classed ~at the time. From a former stud_ent. ’at the Collegio, a Dr. Ferguson, Newman had wormed out an advance description of the life there.’His letter to St. John reporting wh~t Dr. Ferguson b, ad to say s.bows interesting reactions to matters touching the religious life: Every quarter of an hour has its work and is measured-out by rule. It i~ a Jesuit retreat continued through the year. You get .up at half past five, having slept (by compulsion) seven and a half hours, at quarter to six you run into the:passage and kneel down for the Angelus. Then you finish your dressing. At six you begin to meditate--the prefect going up’ and down and seeing you are at your work. Three mihutes off the 1half hour a bell rings for the col-loquium. At the half hour (hal’f past six) mass--which every ond attends in surplice. Seven breakfast, some bread and some milk and (I think) coffee. Then follow schools--at half past e1~ven dinner and so on. A dompulsory walk for.an hour and a half in the course 231 Reoieto for Religious of the day.x Newman calls’ attention to some details closely related to common life: Recreation an hour after dinner and supper--but all recreate together ~--no private confabs. In like manner no .one must enter any other .person’s room. (Corollary. It is no good two’friends going to Propaganda.) ..... Further, your letters are all opened, and you put the letters you. write into the Rector’s hand. To continue--you must not have any." pocket money .... "Then there is no good," I asked, ’"in taking money." "No," said Dr. F., "none at all." Next, you may not have clothes.of your own--the RectOr takes away coat, trousers, shirts, stockings, ~c. ~c. and gives you some of the Propaganda’s. Although the Collegio was run to train not religious but diocesan priests, the details which Newman here singles out for comment includ~ many which remain more or less a permanent part ~)f the religious life~ From the rueful tone of Newman’s letter, one might gather that such details ’are listed because they show where the shoe pinched the most unbeara,bly.. Little wonder, one would say, that Newman did not’ become a religious. The life plainly did not at all appeal to him.’ "They give you two cassocks," he goes on, "an old one and a new one." (Newman’s own italics). ’ "To complete it, he [Dr. Ferguson] said that I should be kept there three years and that I shouid have to read Per- .rone." Reading Perrone seems to have been ~ associated ’iri Dr. Ferguson’s mind only with.feelings of the greatest ter-. ror. Perrone, well-known Italian theologian, Was laterto be Newman’s friend and champion. But now Newman passes over Perrone’s name without comment, having asso- Ciated with the name nothing but the iinister overtones of xWilfrid Ward, The Life of John Henry Cardinal Netoroan (New York: Longmans, Green and Co., 1913), I, 132. All quotations from this work are with the kind permission of. the publishers. .. 232 , Ju1~,1945 NEWMAN AND THE RELIGIOUS LIFE Dr. Ferguson’s woeful recollections. "Meanwhile . . . we heard that at Rome . . . ’apart:. ments’ have been’got ready at Propaganda for Dr. Wiseman and’ me." Newman must have shuddered as he~ wrote "apartments": at least he put~ the word in quotes. "The only allowanc~ I extracted from Dr. Ferguson," be continues, "was that you might bare private papers in your writing desk .... Dr. F. said one thing was provided gratis--snuff ad libitum and I should be allowed to take a snuffbox." In the event, Newman was not subjected to the rules here described for the young s



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