This is a decorative mini-lei made up of crocheted flowers. The flowers are designed to evoke the maʻo hau hele, the yellow native hibiscus which is the state flower of Hawaii.
I designed & made this item in spring 2022. It is made from size 10…
I made this cardigan in the late 1960s or early 1970s and cannot find the pattern source. The yarn is likely Red Heart or something similar from the period in a worsted weight. Small pink and green flowers are embroidered along the top of the…
This sculpture was knit with 24 gauge plastic coated steel wire and 26 gauge copper wire. It is part of a group of knitted and crocheted sculptures I made to represent inner and outer seives. It was published in Knitting Art, by Karen Searle, …
This small sculpture was knit with 26 and 28 gauge copper wire. It is one of several knitted sculptures I created to express inner and outer aspects of ourselves.
Winterling is a knitted, quilted wall hanging, embellished with crochet, embroidery, beads, and buttons. It was made by textile artist Suzann Thompson in 2017 for her Celebrate Doilies exhibit. The name Winterling refers to a now-closed chinaware…
This piece is a crocheted mandala designed and made by textile artist Michelle Beerbower. It was made in 2026 as an additional piece in her collection “Mandalas of Healing”. The artist used US hook size I-9 with acrylic yarn. This piece was made as a…
This piece is a crocheted mandala designed and made by textile artist Michelle Beerbower. It was made in 2026 as an additional piece in her collection “Mandalas of Healing”. The artist used US hook size I-9 with cotton yarn. This piece was made as a…
This piece is a crocheted mandala designed and made by textile artist Michelle Beerbower. It was made in 2026 as an additional piece in her collection “Mandalas of Healing”. This piece was made as a tribute to her journey and continued story of…
“Front: molded metal, shaped like a high-top shoe; embossed with this clever play on words: ‘Three Feet in One Shoe.’ Back: flat. Tape: twilled cotton; 36 inches.” From Worthpoint.com
Two matching handknit vests made from an original 1940s pattern. The yarn used was Purl Soho Linen Quill held double. Yarn content is a blend of wool, alpaca, and linen, and the colorway is Juniper Green. Pattern was retrieved from a hardcopy vintage…
Designer Ann White of Bella Crochet (bellacrochet.blogspot.com) designed the Trick or Treat Doily to accompany another Halloween-themed doily in her design collection. Suzann Thompson crocheted the doily in 2019 with No. 10 crochet cotton from her…
This afghan was made by my paternal grandmother. She was a talented seamstress. She made much of her own wardrobe throughout her life as well as clothes for her grandchildren. She crocheted less often than she sewed. She is the person who taught me…
My grandmother, Esther Curry, tatted these stars for me, at my request, when I was a girl of about 10 or 11 years old (early 1970s); they may well mark my very first personal acquisition in what has become a lifelong fascination & enjoyment of…
Bond America’s Tassel Magic tool, released during the 1990s, got me interested in making tassels. I mixed different kinds of yarns from my collection to make the twisted cording or bullion for the tassel skirts. For a time, an egg-beater was my…
My tassel-making adventure started when Bond America, under the leadership of my friend Cari Clement, offered a new product called Tassel Magic—The Ultimate Tassel and Fringe-Making Tool.
It was a fun tool, and I learned quite a bit from using…
These hand knitted swatches were required. I had to research, learn and perfect the techniques. The techniques shown here are double brioche, herringbone stitch, double knitting, entrelac, and a doily. These were completed using Cascade 220 yarn.
The instructions for these hand knitted swatches indicated a technique and size parameters. I had to research the technique, practice the skill and design, knit and write a pattern for each swatch. The techniques shown here are smocking, elongated…
Each hand knitted swatch has a different cast-on: tubular, German twisted, picot, Channel Island, I-cord, Chinese waitress and a different bind-off: tubular, double crochet, picot, Icelandic, I-cord, double chain. Each stitch pattern within the…
These are the seaming swatches for TKGA Master Hand Knitting Level 2. The knit swatches included a stockinette seam, reverse stockinette seam, seed stitch seam, single rib (K1,P1) seam, double rib (K2,P2) seam, vertical (selvedge) to horizontal…
The instructions for the neckline swatch say how to knit the base swatch, choosing the best decreases. Then it was up to me to learn how to pick up stitches from a bound off, curved and selvedge edge at the correct ratio.
The inset pocket swatch had…
The instructions for these handknit swatches say that two lace patterns and one cable pattern had to be selected and knit within a seed stitch border. The design had to be balanced both vertically and horizontally and a pattern was written for each…
The instructions say to make each swatch with three different types of buttonholes (eyelet, vertical and horizontal). The spacing and placement of each buttonhole had to be determined for each swatch. The swatches include a single rib (K1, P1),…
The instructions provided a lesson on how to compensate for cable flare. First, knit and block a seed stitch swatch. Then, choose a cable pattern to knit and block. I had to learn how to compensate for the gauge difference between the two swatches…
My husband Charles was scheduled for long-overdue knee replacement surgery. I needed a small, relatively simple project to work on while we were at the hospital during both his knee replacement surgeries and recovery. A knitted doily seemed the…